Description
For your consideration is an exceedingly rare and historically significant original copperplate etching of King Charles I of England, created circa 1675 by the renowned engraver and artist David Loggan. This exquisite piece showcases Loggan\’s exceptional skill as an engraver during the baroque period. The etching is accented with delicate hand-drawn red ink embellishments, adding a unique artistic dimension to this already remarkable print.
This original copperplate engraving is a testament to Loggans precision and artistry, capturing the regal presence of King Charles I with intricate detailing and elegant composition. The condition of the print is excellent for its age, save for minor wear to the top margin, which does not detract from the central imagery or its aesthetic appeal.
David Loggan (16341692) was a distinguished English baroque engraver, draughtsman, and painter whose works remain highly prized among collectors and historians alike. Born in Danzig (modern-day Gdask, Poland), Loggans artistic journey began under Willem Hondius and Crispijn van de Passe II, eventually leading him to England in the late 1650s. His reputation as a skilled engraver earned him prestigious commissions, including the title-page for the 1662 folio edition of the Book of Common Prayer. By 1669, Loggan had been appointed \”public sculptor\” to the University of Oxford, where he created his magnum opus, Oxonia Illustrata (1675), a folio of birds-eye views of the universitys colleges.
This engraving not only represents Loggan\’s artistic excellence but also serves as a historical artifact from a period that shaped British monarchy and culture. King Charles I, depicted in this piece, remains a complex and pivotal figure in British history, whose reign ended with his execution in 1649, followed by the temporary abolition of the monarchy.
The copperplate engraving measures approximately the size typical for Loggan\’s works from this era, with fine details and precision consistent with his mastery. Its provenance and artistry make it a museum-quality piece, suitable for collectors of early modern art, British royal history, or works by celebrated baroque engravers. This is a one-of-a-kind investment opportunity that combines exceptional historical and artistic value.
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